Another album from the Godzilla CD collection revisited, this time from 1994. A mere (!) 12 years ago, but from what seems like another life time to me.
Portishead – Dummy
At that time I was young, with lots of disposable income, well, more than I have right now.
One of my major indulgences was CD buying. At the time I was working alongside another young buck, who also spent far too much on CDs.
We would endeavour to cover all different bases of musical taste, buying things that we’d heard were good, swapping them and then honing our collections accordingly.
I remember, it was him who bought “Dummy” first. When it was fresh out, before the hype gathered around Portishead.
They were linked in with the whole Trip Hop genre of that time, although I think that was more to with Portishead (the place the band were named after) being close to Bristol, and Massive Attack.
When I think of Trip Hop records, Portishead are certainly not one of the first names in my head.
Their sound was pretty unique as far as I’m concerned.
It was more like a soundtrack, not a conventional album. All the tracks are moody and evocative, with Beth Gibbons voice haunting, a bit like Liz Fraser’s, but far more accessible than anything the Cocteau Twins ever did.
Indeed as I recall they actually filmed a spy thriller type promo, if memory serves me right, called “To Kill a Dead Man”.
Including a sample of Lalo Schifrin’s “The Danube Incident” only served to highlight this further. The other samples on this album, from Isaac Hayes and Johnnie Ray, to me at least, distance them from the Trip Hop genre.
Enough of the semantics, let’s get back to the nitty gritty.
For me, this record evokes a certain time in my life. I was single when I first got this record, but it wasn’t until I got together with the now Mrs Zilla, that this album came to life for me.
It was the perfect laid back album for those post coital cuddles. You know the moments I mean. The ones where you’re entwined in someone’s arms, and it feels so good. Time loses meaning and you have songs in the background that suit that laid back, post laid mood.
Such is the power of this album on a personal level that, Mrs Zilla, passing the room I was in, came in and said, “I’ve not heard this in ages. Do you remember those nights in that house on Beech Road.?”
That’s how good an album this is for me.
I may have to leave it lying round the bedroom…..